In the world of progressive metal, where innovation and technical prowess reign supreme, the debut album 'Crown Shyness' by the enigmatic slq has sparked curiosity and raised some intriguing questions. This one-man project, masterminded by César Parra Rojas, has managed to assemble an all-star cast of guest musicians, including the renowned Diego Tejeida, Baard Kolstad, and Nate Navarro. But does this collaboration result in a harmonious forest canopy, or does it leave Rojas struggling to find his own light?
'Crown Shyness,' named after a fascinating botanical phenomenon, promises a unique musical experience. However, upon closer inspection, it becomes evident that the album struggles to define its own identity. While Rojas' vision owes a debt to the mighty Tool, with their signature riffing and drumming style, the album often feels like a work in progress, lacking a clear direction.
The Sound and Its Struggles
The sound of 'Crown Shyness' is a fascinating blend of influences, with hints of Leprous, Haken, and Porcupine Tree seeping through. Yet, it's the moments of deviation that truly stand out. The salsa-infused groove in 'A Chasm' and the bluesy instrumentals of 'A Deception' provide much-needed variety. Rojas' guitar solos are a highlight, showcasing his ability to deliver tasty licks. However, his riffing can sometimes feel derivative, failing to reach the heights of his talented session musicians.
One of the album's most significant weaknesses lies in the vocals. Rojas' singing, while ambitious, often falls short of the mark. A lack of control and consistency results in pitchy and oversung moments, undermining the impact of his vocal lines. This issue is further exacerbated by the vocal mixing, which amplifies any wobbles, creating a sense of homogeneity that colors the entire record.
A Vision in Progress
Structurally, the compositions on 'Crown Shyness' often meander, lacking a clear sense of destination. Tracks feel more like a collection of ideas rather than a cohesive vision. This lack of focus becomes a double-edged sword, as it forces listeners to appreciate the album on a micro-level, searching for those rare moments when the performers truly gel.
When the stars align, slq delivers. The salsa section in 'A Chasm' and the instrumental prowess of 'A Delusion' are standouts. Tejeida's keyboard work, ranging from skittering synths to emotive piano, adds a layer of complexity. Navarro's bass riffs provide a textural depth, while Kolstad's off-kilter drumming keeps things interesting. However, these moments of brilliance are few and far between, often buried under a sea of mediocrity.
A Work in Progress
Despite its flaws, 'Crown Shyness' is not without its merits. Instrumentally, it offers a listenable experience with impressive flourishes. Rojas' vision, while not fully realized, is an ambitious one. He has managed to bring his record to life, working with some of the best in the business. It's a testament to his perseverance and talent.
In my opinion, 'Crown Shyness' feels like a sapling struggling to find its place in the progressive metal forest. While it shows potential, it lacks the clarity and coherence needed to truly shine. With time and refinement, slq could evolve into a mighty tree, but for now, it remains a work in progress. For fans of progressive metal, it's an interesting experiment, but one that may leave you wanting more.
Recommended tracks: 'A Quest', 'A Chasm', 'A Return'
Final verdict: 4/10
